Category: Photo Stories

Writes about photo stories that combine photography and storytelling.

  • Christmas Eve Pier Light Parade

    December 2011 @ Stearns Wharf, Santa Barbara

    On the evening of December 11, the 26th annual Parade of Lights lit up Stearns Wharf in Santa Barbara. This year’s theme—Candy Cane Holiday—invited participants to transform their boats into floating spectacles of holiday cheer. All vessels had to register in advance and were guided through a designated route after sundown, showcasing their light displays to the crowd lining the dock.

    Around 30 boats of various sizes participated, each uniquely decorated to fit the theme. By 4:40 PM, the winter sun had already dipped below the horizon, and by 5:30, the parade had begun. Over the course of an hour, boats drifted past one by one—some playing carols, others hosting dance routines. Cheers rang from the shore as spectators soaked in the vibrant, festive spirit.

    As dusk deepened, the lights along Stearns Wharf cast a warm glow. The souvenir shops, usually quiet this time of year, took on a whimsical charm under soft illumination. Some boats cruised gently past early, their silhouettes backed by the glowing town behind them.

    This time, I experimented with long-exposure photography to capture the flow of motion. The trails of light left behind by passing boats created dreamy, abstract arcs—transient brushstrokes on the dark canvas of the sea.

    Santa Claus made his entrance aboard a cheerfully lit boat, waving with his assistants and wishing everyone a Merry Christmas. Candy canes wrapped around the railings echoed the night’s theme perfectly. Another boat staged a glow-stick performance, and with the camera set for long exposure, the streaks of movement painted the scene with surreal energy.

    Even the simplest boats—some with just string lights or a Christmas tree—earned enthusiastic waves and applause. “Merry Christmas!” rang out from both boat and shore. A reindeer figurehead stood tall at one bow; another ship outlined its sails with constellations of lights.

    As the parade continued, the ships grew larger and more elaborate. One featured seahorses “pulling” the vessel, with a bearded man gripping reins. Others showcased cartoon themes, candy-striped cottages, tropical mermaids, and twinkling masts that stretched into the sky.

    The final boat stole the show—a dazzlingly decorated yacht where stars dangled above, the moon wore a Santa hat, dolphins and seahorses danced across the hull, and a surfer clad in blinking lights mimed riding waves from the middle deck.

    Then, just as applause echoed across the wharf, the fireworks began. A finale of color burst into the night sky—like sparks leaping from festive wheat stalks—leaving the crowd mesmerized and reluctant to leave. Even on the walk back, heads turned skyward, savoring the last moments of a magical evening.

  • Death Valley: Itinerary Guide and Attractions Preview

    Thanksgiving Journey to Death Valley

    In the United States, Thanksgiving falls on the fourth Thursday of November, followed by Black Friday and the weekend—creating a rare four-day holiday. Our trip to Death Valley was planned just a week in advance due to the anticipated crowds, and we quickly launched into preparations.

    We departed from the Pacific coast of Southern California, using the four days to enter Death Valley twice and explore its surrounding landscapes during the remaining time. What we saw, heard, and felt left a deep impression on us all. This place is a complex fusion of the ancient and the futuristic—a contradiction between fantasy and reality, where soft lines meet sharp edges in perfect harmony.


    About Death Valley National Park

    Death Valley National Park (DVNP) is a massive basin straddling eastern California and western Nevada. It stretches over 160 miles from north to south, and is roughly 50 kilometers wide. Covering an area of 7,800 square kilometers, it holds three extreme records in the Western Hemisphere: the hottest, driest, and lowest location.

    Telescope Peak, on the canyon’s western rim, rises to 3,366 meters, while Badwater Basin—its lowest point—sits at -86 meters. The elevation difference between the two is over twice the depth of the Grand Canyon (for reference, see: “[Arizona] Flying over the Grand Canyon with the Wind”).

    The canyon’s low elevation traps hot air, which is reheated by intense sunlight. Temperatures here have reached up to 56.7°C, the highest ever recorded in the Western Hemisphere. Annual rainfall averages less than 2 inches, and some years see none at all. Yet within this harsh terrain, you’ll find endless sand dunes, expansive salt flats, towering snow-capped mountains, vibrantly colored rocks, natural canyons, and the famous “moving stones.” It’s otherworldly, mesmerizing, and full of surprises.


    Overview of Our Four-Day Journey

    Our trip spanned over 1,600 kilometers, and within those four days, we experienced what felt like all four seasons. We were constantly reminded of nature’s magic. Each day’s itinerary will be shared in detail in separate blog posts and linked back here.


    Day 1: To Lone Pine via Red Rock and Fossil Falls

    • Route: California Highway 14 → Red Rock State Park → Mojave → California Highway 395 → Fossil Falls → Lone Pine
    • Evening: Visited Alabama Hills before sunset, dined at a Western-style local restaurant.

    Mojave’s airplane graveyard was a spectacle—dozens of parked Boeing jets. Why are they there? Airlines store unused planes in Mojave’s dry climate to prevent rust and to give the illusion of constant operation.

    Onward, we passed California City, a grand name few people recognize. Entering the Sierra Nevada Mountains, the blue-gray peaks and yellow-green vegetation clashed beautifully. The scenery turned barren yet majestic.

    • Red Rock State Park introduced us to a prehistoric narrative written in stone.
    • Fossil Falls told a deeper story—where volcanic lava met glacial melt millions of years ago.
    • In Owens Valley, we passed the mostly dried Owens Lake before arriving in Lone Pine.

    Day 2: First Entry into Death Valley

    • Morning: Left Lone Pine (temperature: -7°C), thick frost on the car roof.
    • Destinations: Mosaic Canyon and Mesquite Flat Sand Dunes
    • Evening: Returned to Lone Pine after sunset

    The sheer size of Death Valley can only be grasped by being there. This day’s plan focused on two sites but still left us exhausted—and in awe.


    Day 3: Golden Canyon and Beyond

    • Early Morning: Sunrise photography in Lone Pine
    • After Breakfast: Re-entered Death Valley
    • Destinations: Golden Canyon, Badwater Basin, and Natural Bridge Canyon

    As the sun gave its final glow, we exited the park reluctantly. Two days in Death Valley left us with countless memories, many regrets, and an eager desire to return. This place demands time and reverence.

    • Bonus Moment: I wrote “I Love DV” in the frost on the car roof—a simple but heartfelt memento.

    Day 4: Whitney Portal and Heading Home

    • Morning: Visited Whitney Portal, west of Lone Pine
    • Goal: To strengthen our resolve to hike Mount Whitney next spring

    We were met with golden autumn hues and snow-covered peaks. After descending from the mountain mid-afternoon, we began our journey home, ending a beautiful and rewarding four-day adventure.


    Travel Tips for Death Valley (DV)

    Here are some firsthand recommendations categorized for ease of planning:


    Clothing

    • Winter (Nov–Mar): Mild at the valley floor. Wear layered quick-dry tops, light jacket, long pants, sunglasses, and SPF 50+ sunscreen. Regular hiking shoes and wool socks are sufficient.
    • Summer (May–Sep): Extremely hot. If hiking is unavoidable, wear brimmed hats, sunglasses, moisture-wicking clothing, and carry double the usual water. Gloves optional for rugged climbs.

    Food

    • Bring your own food and water. Some areas have restaurants, but they are limited.
    • There are no trash cans in most areas. Even fruit peels must be packed out.
    • Winter: bread, sausages, fruit, 2L water/person/day, and perhaps some avocados.
    • Summer: at least 4L water/person/day, and extra salt to prevent dehydration.

    Accommodation

    • Resorts: Stovepipe Wells Village, Furnace Creek Inn/Ranch, Panamint Springs Resort
      • Pros: Inside the park, but expensive (typically $200+/night)
    • Budget Alternatives: Lone Pine (west) or Pahrump (east), $60–90/night
      • Pro tip: Book early to match your itinerary and reduce travel stress.

    Transportation

    • No public transit in Death Valley. Personal vehicle is required.
    • Ordinary cars can navigate most routes; 4WD recommended for unpaved roads.
    • Caution: Do not attempt unknown routes. Fatal dehydration cases have occurred. Follow park signage and stay informed.

    Essentials to Bring

    • GPS (cell service is unreliable)
    • Trash bags
    • Multi-tool or Swiss Army knife
    • Flashlight or headlamp
    • Trekking poles
    • Camera gear: tripod, spare batteries, shutter remote, memory cards
    • Emergency GPS beacon (optional but highly recommended; ~$200 on Amazon)

    Closing Thoughts

    I’m still a newcomer to Death Valley, but even one visit arms you with firsthand knowledge more vivid and practical than any guidebook. This vast, surreal land deserves more than just a glimpse—it deserves your full attention.

  • Magical colors in the Alabama Hills in early winter

    Alabama Hills, California – November 2011

    On the first evening of our Death Valley trip, we arrived in Lone Pine, a quiet town nestled in Owens Valley. After quickly checking into our hotel, we made our way to the nearby Alabama Hills just in time for sunset. Famous for their otherworldly landscape and cinematic legacy—“Transformers 2” was filmed here—the Alabama Hills feel both ancient and futuristic. Though they evoke science fiction, the boulders themselves are over 100 to 200 million years old, sculpted by eons of weathering into fantastical forms.

    From Lone Pine, we took Whitney Portal Road north. Just 4 kilometers in, we turned onto Movie Road and drove another 3 kilometers to a Y-intersection. A right turn led us to a simple dirt parking lot and the start of our Alabama Hills hike. Though the terrain feels vast, most of its iconic formations are accessible within a half-hour walk, making it a paradise for photographers. Daytime offers dazzling colors and dramatic vistas, while nighttime transforms the rocks into silhouettes beneath a blanket of stars. Here, the Milky Way truly feels close enough to touch.

    The photos in this post are from the first evening and the fourth morning of our journey, taken at various locations within the Alabama Hills.

    Golden shrubs and surreal rock formations greeted us along the road, with the Sierra Nevada’s snow-capped peaks rising faintly in the distance. After hundreds of kilometers on the road, autumn’s colors felt like a well-earned reward—rich golds unmarred by any other hues.

    As the sun climbed over the mountains, jagged peaks caught the light with sharp drama—my first experiment with HDR photography. The golden foliage clustered along a stream at the foot of the hills, and towering trees formed natural frames, perfectly aligning with Mount Whitney in the distance.

    Morning brought a vivid contrast: vibrant foliage below, snowy ridges above, all under a flawless blue sky. The scenery demanded frequent stops; we took nearly an hour to cover a few hundred meters.

    The sunset of the first day brought an entirely different beauty. From Stonehenge-like rock formations, we looked out onto breathtaking vistas drenched in amber. The HDR post-processing was a learning curve, but the results captured the magic.

    Backlit by the setting sun, the boulders took on dramatic silhouettes. The interplay of nearby and distant outlines echoed scenes from sci-fi films. Cracks between massive rocks framed fiery clouds, and the colors shifted rapidly—from golden to pink to deep blue.

    We nicknamed one rock “the conch” and another “the locomotive fossil.” Lichens thrived on boulders shaped like fragments of the human body. As darkness settled, the sky blossomed with stars. With a 30-second exposure, the Milky Way shimmered faintly. After two minutes, star trails began to form, tracing arcs above the shadowed hills.

    Though the mountains stood in deep shadow, an occasional passing car would light up the landscape, reminding us we weren’t entirely alone in this vast, beautiful silence.

  • An Alien World: Golden Canyon in Death Valley

    Golden Canyon in Death Valley

    「Death Canyon Day 2」

    When exploring Death Valley, planning ahead is essential. While many visitors opt for a quick tour, if you truly want to know, feel, and connect with this vast, barren land—its peculiar rock formations and surreal gullies—you have to walk into it. And once you do, I promise: you won’t regret it. You may even fall in love with it.

    After our eye-opening first day, we returned to Lone Pine—a two-hour drive that somehow felt twice as long in the dark. Budget and geography led us to choose Lone Pine, over 100 miles away, as our base. With fewer than 2,000 residents, it’s a quiet little town we grew quite fond of.

    On the morning of Day 2, we hit the road again, this time heading straight past Mosaic Canyon and Mesquite Flat Sand Dunes toward our next destination: the trailhead of Golden Canyon.

    Our research told us that Golden Canyon had once been a prominent mining site during the California Gold Rush. Devoid of grass and dotted with golden-hued gravel, it earned its name from both its history and appearance. As we stepped out of the car, the long road behind us faded into the distance. Though it was “winter,” the sun was warm and high, and the landscape, as always, remained bone-dry. The living density here is extremely low—so low that we might be counted among the few living beings around.

    📍 For an overview of attractions and planning tips, see:
    [Death Canyon, USA] Itinerary Guide and Scenic Spot Preview
    For Day 1 highlights, check:
    [Death Canyon, USA] Enter the Most Vivid Outdoor Geology Museum
    [Death Canyon, USA] Desert Wonders Below Sea Level


    Into the Canyon

    • F1. A few steps in, we were surrounded by boldly colored gravel and sand.
    • F2. The intensity of the colors seemed to darken the sky itself.
    • F3. Without trees or figures for scale, we lost all sense of distance.
    • F4. A massive rock stood silently, its surroundings long weathered away. Only the sections it shielded were preserved.
    • F5. Occasionally, we saw traces of ancient rivers. While rain might seem helpful in this dry place, short showers here can trigger flash floods and mudslides—dangerous in a land without vegetation to hold it together.
    • F6. About 2 miles in, we were fully immersed in wilderness—no life, no shelter. If a storm or scorching sun hit, there’d be nowhere to hide.
    • F7. The slopes weren’t especially tall, but climbing them under the sun at nearly 30°C with no wind quickly silenced us. We stopped often, walked quietly, and I let my camera speak for me.
    • F8. Deep red conglomerate rock, dense and durable, resisted erosion far better than the golden sandstone. Some cliffs looked like natural cathedrals.
    • F9. In the harsh silence, every step brought us closer to dehydration.
    • F10. Two hikers paused ahead of us, taking in this alien terrain.
    • F11. Standing where they had stood, I felt like I was on another planet. Compared to Alabama Hills, this felt even more surreal.
    • F12. Looking back, we had no idea how far we’d come—or how far we still had to go.
    • F13. I was the first to reach the summit, where I finally felt a breeze. Looking back at my companions, I captured the scale of this land through them.
    • F14. The mountain beside me was the tallest around, looming like a sentinel.
    • F15. This was the only trace of human presence along the way.
    • F16. Beyond the summit, the trail rose and fell repeatedly—no easy descent, just relentless hills.
    • F17. The red rock walls sliced through the terrain. Despite it being winter, the sun’s intensity was punishing. You finally understand why this is called Death Valley.
    • F18. In the distance, two golden humps glowed: the viewing platform at Zabriskie Point. We could just make out the silhouettes of visitors.
    • F19. The rivers are long gone. Only the dry trunks of forgotten plants remain, still waiting for a rain that may never come.
    • F20. From above, the land unfolded in a breathtaking palette. Different minerals gave way to vibrant color contrasts, especially vivid under the sun.
    • F21. Zabriskie Point was named after Christian Zabriskie, VP and GM of Pacific Coast Borax Company, who helped develop the region. Mining remnants and even old explosives still lie scattered in the land. For safety and preservation, off-trail exploration is prohibited. From here, you can enjoy a nearly 360-degree view of Death Valley’s dramatic terrain—truly unmissable.
    • F22. The sun began to dip. Though it was only mid-afternoon, it felt like the day was slipping away. We still had half the hike left and hurried to capture what we could with our cameras.
    • F23. As we descended, the crowds faded behind us. The color contrasts became even sharper.
    • F24. The abandoned riverbed stretched ahead. The absence of water made us imagine the harshness of summer. In such heat, these colors—beautiful now—would become merciless and deadly.
    • F25. The dark brown “cover” on some hills isn’t moss or seaweed—it’s a layer of erosion-resistant conglomerate, rich in iron oxide. Without plant roots to stabilize the land, these layers slow erosion from above, shielding the fragile sandstone beneath.
    • F26. Walking along the ancient riverbed felt easy and quiet. Hard to believe this area was once a lush lake teeming with life. Nature doesn’t explain itself—but maybe that’s what makes it magical.
    • F27. In the narrower channels, rainbow-colored rocks appear. This place seems to use every shade from nature’s palette. The smooth walls recall ancient floods—water may be ruthless, but rocks remember.
    • F28. At the mouth of the river channel, a wide gap drops nearly two meters from the land on either side. The size of past floods is hard to imagine.
    • F29. You may ask: Why are there no plants here? Mosaic Canyon had some, even near the sand dunes. But Golden Canyon’s surface is made of dense sandstone and conglomerate, which water cannot penetrate. So even a heavy downpour brings no life—only flash floods. Perhaps, it’s better to leave it untouched.

    The vibrant colors of Golden Canyon are unforgettable. The hike spans 8 kilometers, with nearly 400 meters of elevation gain. Not everyone will choose to take it on, but for those who do, the memory of these landscapes will last a lifetime.


    [Off-Topic Reflection]

    This Death Canyon Part 3 post comes nearly a year and a half after Part 2. A few reasons (not excuses): First, I was dealing with immigration matters, thankfully now resolved (I’ll share more in a separate post). Second, my poor 4-year-old laptop simply couldn’t handle RAW files over 30MB. It struggled—and eventually, so did I. The photos from that year and a half just piled up, untouched.

    But recently, I finally saved up enough to buy the second desktop of my life. It wasn’t cheap (over $1,600—yes, it hurt), but it’s already paid off. Processing RAW and NEF files is now a joy. And with that, this blog post was finally born.

  • The Sand Dunes below Sea Level

    Death Canyon Day 1: Mosaic Canyon and Mesquite Flat Sand Dunes

    When time allows, the whole self softens. You can plan the day freely, soak in the endless beauty, and savor every breath. On the first morning in Death Canyon, I gave the entire day to Mosaic Canyon—a stunning 6-kilometer round-trip hike that feels more like a living textbook than a trail. It’s often called an outdoor geological museum, and for good reason.

    For more on Mosaic Canyon, visit our detailed post:
    [Death Canyon, USA] Enter the Most Vivid Outdoor Geological Museum

    For a full itinerary and site guide, see:
    [Death Canyon, USA] Itinerary Guide and Attractions Preview

    The park’s visitor center sits in a central hub of activity, with many attractions nearby. Mosaic Canyon lies just 5 kilometers west along a gravel road, while to the east you can already glimpse vast sand dunes in the distance—even without approaching. Situated below sea level, this low-lying valley embraced by mountains is home to the golden Mesquite Flat Sand Dunes, a true gem of the Death Canyon landscape.

    It was already noon when we returned from Mosaic Canyon. After a quick bite—just some simple slices of bread—we headed straight for the dunes, about 8 kilometers east of the visitor center. The sand dunes are impossible to miss. A spacious parking lot and restroom facilities are available at the entrance, though the toilets are basic, with no sewage treatment. In high temperatures, the odor can be quite strong, so travelers with sensitivities may want to prepare accordingly.

    Thanks to its prime location along California Highway 190, Mesquite Flat is a frequent stop for those driving between Las Vegas and Los Angeles. It’s one of the most popular and accessible attractions in Death Canyon. Winter temperatures are ideal—cool and comfortable, hovering between 15 and 20°C during the day. It’s also the busiest time of year.


    Sand Dunes in Winter Light

    • F1. The entrance teems with visitors, flowing in and out against a backdrop of towering canyon walls—majestic and humbling.
    • F2. Dead trees lie scattered along the edge of the dunes, silent witnesses to the arid climate.
    • F3. Young people, shirtless and barefoot, laugh and run, fully immersed in the freedom of the dunes.
    • F4. Only a few thorny shrubs cling to the base of the dunes, their roots burrowed deep into the dry ground.
    • F5. Strip dunes—long, narrow, and steep—are common here. The soft sand makes climbing difficult but fun.
    • F6. In the center of the dunes, people leave footprints, symbols, even love notes—temporary, poetic graffiti.
    • F7. This untouched area has a meditative calm. The sand texture is fine and soft, undisturbed.
    • F8. The creation of dunes requires a delicate balance: a source of sand, wind to carry it, and landforms to trap it. Most of Death Canyon’s rocks have weathered for tens of millions of years, providing sand. Yet strong winds rarely reach the canyon floor, so dunes occupy less than 1% of its vast area.
    • F9. Reaching the ridge of a dune took effort, but GPS still showed an altitude below sea level. Slightly disappointing—until we looked around and forgot to breathe.
    • F10. The gentle lines across the sand are all human traces—echoes of presence.
    • F11. This view is my favorite: vast, symmetrical, mesmerizing. I could sit and watch for hours.
    • F12. By 4 p.m., the sun began to dip. With mountains flanking the canyon, winter light fades fast. Shadows and highlights danced on the golden slopes.
    • F13. The delicate patterns in the sand look painted by wind, not time.
    • F14. Nature’s lines and shadows compose a living canvas, shaped below sea level.
    • F15. Every change in perspective brings a new composition. No need for fancy gear—just look and feel.
    • F16. Facing the light, our silhouettes stretched across golden waves. In the distance: the highest crest of Mesquite Flat, though still only a few dozen feet tall. Most dunes here sit below sea level.
    • F17. Some frames don’t need complexity. Simplicity is beauty.
    • F18. This view speaks of strength, solitude, and grace. Nature is the greatest artist.
    • F19. The setting sun casts long shadows. Walking here feels like a scene from retro science fiction.
    • F20. This is also a popular filming site—the legendary Star Wars saga was filmed among these dunes.
    • F21. As the sun softened the landscape, photographers gathered like pilgrims, chasing the perfect frame.
    • F22. Backlit textures etched into the sand gleamed under the slanting light.
    • F23. I wrote Chinese characters on the sand—my small mark left in a peaceful canyon. For now, it will remain.
    • F24. On Thanksgiving Day, the temperature was surprisingly mild, with only a 5°C difference between day and night. Still, the desert dryness never faded.
    • F25. The golden dunes looked carved by hand—an effortless sculpture.
    • F26. Footprints crossed the ridges in elegant arcs—an accidental calligraphy.
    • F27. Under backlight, each step became a shadow in motion.
    • F28. Looking back at our path, the sun had already dropped low.
    • F29. Four hikers, dressed in blue, pink, yellow, and red, stood facing the sun. Their presence added a warm human touch to the vast, lonely dunes.
    • F30. The lower the sun dropped, the deeper and richer the colors became.
    • F31. Standing at the dune’s peak, every direction offered a masterpiece.
    • F32. Many of the lower dunes had already fallen into shadow. Most visitors had left, but a few of us remained, chasing the final rays.
    • F33. In the sun’s last moments, the intensity of color reached its peak. Looking out, the soul felt free and wide open.
    • F34. As the sun slid past the ridge, its light brushed over us—a fleeting, magical touch.
    • F35. In less than two minutes, twilight swallowed the dunes. Only the distant highlands remained bathed in golden glow.
    • F36. A light breeze stirred—our dream interrupted. Turning back, we saw the high peaks silhouetted in grandeur.
    • F37. The final light of Day 1 in Death Canyon—rainbow hues glowing above the sand, as if the silent heart of the desert was exhaling.
  • Walk into the Geological Museum at the Mosaic Canyon in Death Valley

    Death Valley Day 1: Mosaic Canyon

    With this post, we officially begin our journey through the mountains and valleys of Death Valley. Each time we travel, we’re deeply struck by the wonder and raw beauty of nature. Our four-day trip to Death Valley was no exception. On both the first and fourth days, we were treated to the dramatic foothills of the Alabama Hills and Mount Whitney, near the small town of Lone Pine, California. It’s hard to believe that the Nevada Mountains can contain such complex, unpredictable landforms. It feels like standing beside an old sage of the Earth—weathered, silent, and timeless.

    For travel logistics and site overviews, check out our related blog:
    Death Valley: Itinerary Guide and Attractions Preview

    Early on the second morning, we couldn’t wait to begin the 150 km drive from Lone Pine into Death Valley. Upon arrival, we stopped at the visitor center to pay the $20 entrance fee per vehicle, which grants a week of unrestricted access to the park. For those who haven’t visited before, it’s difficult to grasp just how vast Death Valley really is. Even if you stay a full week, it’s nearly impossible to see it all. Most visitors do a quick tour or stop by briefly en route from Las Vegas. But if you truly want to experience the magic of this place—its geological marvels and quiet grandeur—a short visit won’t suffice.

    As with many things in life: either don’t do it, or do it properly. That applies to travel, too. In Death Valley, I suggest pacing your trip wisely. If time allows, see as much as possible. If time is short, slow down and appreciate a few locations in depth. A little regret leaves room for a reason to return.


    Mosaic Canyon: The Outdoor Geological Museum

    Our first stop was Mosaic Canyon, just a short drive from the visitor center. Due to its rich and vivid geological features, it’s affectionately called an “outdoor geological museum.” The harsh stillness of Death Valley underscores its beauty—nothing here is vibrant or lush, but everything is meaningful.

    • F1. At the canyon’s entrance, the contrast between the layered rock and the clear blue sky is stunning.
    • F2. The narrow passage, shaped over tens of millions of years by glacial meltwater, often requires you to turn sideways just to pass.
    • F3. Wide scouring patterns etched into sedimentary rock vividly recall the violence of ancient water flow.
    • F4. The exposed gravel bed preserves the memory of a long-vanished river.
    • F5. What was once a lively waterway is now a quiet canyon of boulders and dust—silent, yet storytelling.
    • F6. Some wider sections of the canyon showcase brilliant, multicolored rocks untouched by erosion.
    • F7. This photo clearly explains the name “Mosaic Canyon”—a beautiful assembly of geological fragments.
    • F8. The strong desert sun exaggerates the rock colors so intensely that the sky appears nearly black, even without a polarizing filter.
    • F9. A monument-like stone wall rises mid-canyon, a sentinel among the silence.
    • F10. Visitors can’t take rocks, so many stack them into mani piles, adding a human touch to this barren space.
    • F11. Likely Desert Holly, this silver-leaved plant reflects sunlight to keep cool—an extraordinary desert adaptation.
    • F12. Walking here feels like treading on another planet—surreal and invigorating.
    • F13. Rock layers, like thick history books, tell of the time when Death Valley rested beneath the Pacific Ocean.
    • F14. Every stone you touch here is part of this colorful mosaic.
    • F15. In winter, the gentle sun makes the metal-sheen canyon walls glow softly—no heat, no rush, just quiet beauty.
    • F16. One of the rare green plants here, with needle-like leaves holding tightly to precious moisture.
    • F17. Sharp turns like this are common—without the main trail, you could easily get lost.
    • F18. At the “Waterfall Site,” it’s easy to imagine torrents once flowing here. Now, children train for rock climbing, armed only with safety ropes and encouragement.
    • F19. One young girl, no more than fifteen, was stuck midway for over fifteen minutes. Tears fell, but her father only offered encouragement: “Come on, you can do it.” She wiped her face and climbed up. We all felt a quiet awe for her courage—and for his.
    • F20. That climb marked the farthest point reachable by casual hikers. After resting, we turned back, still marveling at this canyon-museum full of ancient stories.
    • F21. Imagine once hearing the trickle of icy water—now replaced by the sound of footsteps in dry sand.
    • F22. Looking back, this narrow corridor gleamed like a natural metallic sculpture.
    • F23. In some areas, the path narrows so much you can only insert one foot—then worry if you’ll get it back out.
    • F24. Rock walls here combine layering, color, and metallic texture into natural works of art—no editing required.
    • F25. Wind and rain carved this column-like structure, standing tall like a forgotten monument.
    • F26. Another green plant with deep roots and sparse leaves—designed perfectly for the long sun hours and dry soil.
    • F27. A group of visitors climbed a rock face at sunset, role-playing like gold miners of the Wild West.
    • F28. When compared with human figures, the size and scale of these walls are breathtaking.
    • F29. Another snapshot of vivid color contrast—nature’s palette at work.
    • F30. One more take on “Mosaic”—a striking natural collage.
    • F31. Imagine glacial water thundering from a wide upstream basin into this narrow gorge—its force unmistakable.
    • F32. In some sections, the canyon blocks all sunlight, creating a crystal-cave feeling.
    • F33. River-sculpted boulders show off a rare softness—like stone turned gentle.
    • F34. Tall, narrow boulders line the canyon like quiet guardians.
    • F35. The gentlest side of Mosaic Canyon—unexpected, even touching.
    • F36. That tenderness is often tied to water, even if it vanished millions of years ago.
    • F37. Graceful, flowing lines run through the rocks, surprising and beautiful to the very end. Even after two hours of walking, you never grow tired of the scenery.

    Final Thoughts

    Mosaic Canyon isn’t just a sightseeing stop—it’s a time capsule. It records the patient, powerful artistry of erosion, climate, and time itself. Day 1 of our journey left us speechless, already promising that the remaining days would be just as unforgettable.

  • A Visit to Santa Cruz Island (Part II)

    Santa Cruz Island is mostly flat, with its highest point reaching just around 2,000 feet. Our destination this time was the tallest peak in the east, standing at 1,880 feet. The round-trip hike covered over 10 miles. Based on typical hiking difficulty, it’s a comfortable 3-star level—not too exhausting, not too easy. Every time I visit this island, I try to stay on foot as much as possible, hoping to take in every landscape, plant, and creature along the way. For someone like me, slightly obsessed with nature, these moments are rare and precious.

    The first half of the hike was full of lighthearted conversation and laughter. Without noticing, we had already climbed over 1,000 feet. Then, looking up, a brilliant brick red appeared before us—sudden and striking. Everyone was in awe of nature’s magic, how quickly the landscape transformed without warning or transition. Walking across this open stretch of red land was an almost surreal experience.

    My two German colleagues—cheerful, humorous, and my good friends—added joy to the hike.

    The vegetation here was especially interesting. Most of the grasses were silvery white, quite different from the dry yellow you’d find at lower elevations. These grasses still seemed to be in their growing phase, but something about them felt… alien. They reminded me of “Martian plants.” We joked that maybe the soil was rich in iron, and the plants had absorbed a good amount of it. But what about the colors? Maybe we could just use “ferrous iron” as an excuse.

    Even up close, these strange plants were hard to make sense of. Thankfully, there were still some normal-looking shrubs scattered among them—just enough to remind us that we were still on Earth.

    This photo wasn’t shot in black and white—it just turned out that way naturally. The contrast between colors surprised me when I went back to edit it.

    Scattered weed stems lay chaotically on the red rocks, visually clashing with the bright blue sea and sky in the background.

    Manmade traces remain too. A line of rusted barbed wire, installed long ago, now blends into the scenery—an accidental ornament softened by time.

    Looking out, the scene made us feel as if we were witnessing the collapse of the heavens and the cracking of the earth during some ancient volcanic eruption. The scattered hot rocks eventually settled to form the beautiful island that now rests off the Pacific coast, home to countless living things, all quietly thriving.

    Standing between volcanic rock and the endless blue sky and sea, it’s hard not to feel small.

    Yet human footprints are everywhere.

    As we continued upward and glanced back, the view stretched out behind us like a masterful painting—from the deep blue of the distant ocean to the vivid brick red, the greens of the vegetation, and the soft yellow of the ridges. Nature knows no boundaries in its palette.

    The terrain changed once more, the red slowly fading behind us.

    From our new vantage point, the eastern portion of the island came into full view. Looking back at the trail we had taken—it was long, gentle, and winding. At that point, we had reached about 1,400 feet in elevation.

    One of the wonders of Santa Cruz Island is the dramatic shift in landforms across elevations. As we left the volcanic zone, the “plateau” opened up, rich with new plant life. Our steps grew lighter, and our eyes scanned eagerly for rare finds. I’m no plant expert, but even simple observation brought joy.

    As the saying goes, you’re admiring the scenery—but to someone else, you are the scenery.

    At higher elevations, tall trees began to appear—twisted and gnarly, with no clear reason why. What caught my attention most was the vibrant light green coating on their branches, like soft fleece wrapping the trees. These organisms are lichens—a symbiosis of fungi and algae. More than 400 species have been recorded in the Channel Islands, accounting for a third of all lichen species in California. Often found on rocks and bark, lichens are incredibly sensitive to air quality and climate change. They’re known as “indicator species.” The abundance of lichen here suggests just how pure the air must be. Breathing such clean air feels like a luxury in today’s world.

    A wide variety of plants appeared as we walked. Even though we didn’t know most of their names, just appreciating their beauty was enough.

    At around 1,600 feet, the far side of the island slowly revealed itself. We could see the vegetation becoming noticeably denser in the highly protected ecological zones. With most human activity restricted, the original ecosystems remain preserved. Somewhere along that coast lies the famous Pelican Bay—a sanctuary for brown pelicans. Thanks to conservation efforts, their population, which had plummeted in the 1970s, has now surged back to nearly a million. Expert fishers, they’ve become an iconic sight along California’s shores.

    Everyone stood still, taking in the unforgettable view.

    Just a few hundred feet higher, we reached our final destination—1,880 feet above sea level. Although that’s only 573 meters in metric terms, the 5-mile (8 km) hike proved how gradually the elevation had risen.

    At the summit was a flat area, maybe 100 square feet wide. A solar-powered transmitter stood quietly to one side—its purpose unclear. In a corner of the clearing, we found a small iron box. Inside it was a notebook filled with signatures of those who had made it to the top. We flipped through the pages, then proudly added our own names.

    On the return hike, we spotted two small figures across the ridge—an adult and a child. Framed by the clouds behind them, they appeared to be standing on the sky itself.

    When the scent of sea air returned, we knew our journey was ending. Travel always feels short. All the beauty is stored on SD cards and in our memories. But no photo, no sentence, can fully express the feeling of truly being there—standing on that path, surrounded by silence, sky, and the timeless work of the earth.

  • A Visit to Santa Cruz Island (Part I)

    Halloween fell on a weekend again this year. The iron fence still stands, separating the student apartments from Isla Vista (IV). Sirens echoed day and night. Children ran around in all kinds of costumes, chanting “Trick or Treat” with no end in sight. This is a wild place—and not just for the young.

    A week earlier, I’d gathered a few like-minded friends—those who prefer peace over chaos—to plan an escape from the noise. With no extended holiday in sight, we decided to return to Channel Islands National Park. The Channel Islands refer to eight islands scattered along the Southern California coast; five of them form the protected National Park. More than 2,000 species call these islands home, 145 of which are unique, found nowhere else. In order to preserve this fragile ecosystem, the islands are kept free of restrooms, trash cans, and fuel-powered vehicles. The old saying comes to mind: “Take nothing but pictures, leave nothing but footprints.” And the people here take it seriously.

    The ferry schedule changes daily based on weather, so to make the most of our time, we booked the 8 a.m. departure and 5 p.m. return. Luck was on our side—only ten tickets were left when we booked, and we secured six. I groggily rolled out of bed early Saturday and drove to the dock, half-asleep but completely captivated by the peaceful beauty of the coastline bathed in soft morning light.

    The ferry departed on time as the sun steadily rose. The dock remained quiet, with only the low hum of our boat’s motor breaking the silence. The sea was glassy, interrupted only by the occasional bird gliding past. In moments like this, people and nature coexist effortlessly.

    On a stone wall not far from the dock, a cluster of brown pelicans were grooming themselves in the sun, warming up for another busy day of diving, hunting, and feeding their young. Unlike gulls that beg for human scraps, these skilled divers are self-sufficient. They nest nearly 30 miles from the mainland and live simply, untethered to the noise of the human world.

    Nearby, a group of sea lions lay sprawled across a tiny buoy, sleeping as if nothing could disturb them. I see them like this every time I go out to sea—morning, evening, always lounging, always in the same relaxed pose.

    Looking back at the coastline, the details of the harbor had already vanished from view. Sunlight drenched the shore in golden warmth. Another sunny, peaceful weekend had begun. After enduring the chaos of Halloween’s first night, I couldn’t help but wonder if people were already starting to feel worn out.

    Ahead, the outline of Santa Cruz Island emerged through drifting clouds—misty, ethereal, like a scene from a dream. The peak on the island’s eastern side was our goal for the day. The roar of the ferry engine echoed across the still, deep blue sea.

    The 90-minute ride was calm. We leaned over the front railing the whole time but didn’t spot any marine life. Everyone was a little disappointed, wiping their noses and blinking back imaginary tears—not out of sadness, but from the biting cold. We soon docked at the barebones “pier” of Santa Cruz Island. Over 100 passengers disembarked in an orderly flow, making room for one another as if choreographed.

    Santa Cruz is the largest of the Channel Islands. However, more than 60% of it is a highly protected zone where access is strictly prohibited without a permit. One of those areas includes the well-known Pelican Bay, a vital sanctuary and feeding ground for brown pelicans in Southern California.

    Rounding a bend past the pier, we reached an open plain. It’s hard to believe this was late October. Only Southern California could serve up this permanent palette of green and gold. The island was pristine. Despite hosting hundreds of thousands of visitors each year, there was not a trace of trash or pollution.

    Along the trail, we came upon a line of rusted farm tools left behind by herders in the 18th and 19th centuries—relics worn by time. Now, they’re lined up on display along the path, quietly retelling stories of a bygone era.

    Away from the noise of civilization, walking between golden grasses and endless blue, the mind feels at ease. The hills here aren’t steep or imposing—they’re soft, sprawling, and open. Perfect for those of us always running at full speed, now learning to slow down and breathe again.

    The trail to Santa Cruz Island’s summit begins in the flat central canyon and gradually rises. The island’s appearance changes little throughout the year; at times, it’s hard to tell if the grasses before you are alive or just stubbornly clinging on. Here and there, green bursts through the yellow like strokes on a painter’s canvas—giving the scene a dreamlike quality.

    At around 600 feet elevation, the land suddenly opens. In the center of a field stands an old drilling rig, now nothing more than a monument rusted to a reddish hue, transformed by time into something quietly beautiful. Like a sculpture, it stands still, watching visitors pass by.

    I took a similar photo last year—same spot, same angle. Back then, the land was barren and brown. This time, a touch of green returned. Maybe it’s the season. Or maybe the island’s ecological restoration is working. A quiet reminder: humans can harm nature, but also help heal it.

    Soon, the eastern side of the island stretched out before us. In the distance, we could see the silhouette of Anacapa Island. Though small, Anacapa’s surrounding waters are rich with phytoplankton and fish. The sunshine and coastlines there offer haven to many marine mammals and seabirds.

    During a short break, I captured a few moody black-and-white shots. Twisted deadwood in stark contrast to the season’s spirit—it felt fitting for Halloween.

    Further along the trail, brown-black shrubs dotted the yellow fields. Rainfall on Santa Cruz Island is scarce. Few broadleaf trees can survive. The success of these low-growing plants is owed to their ability to retain water and endure dryness.

    Naturally, cacti make their appearance. In the wild, they grow far larger than the bonsai versions we’re used to—sometimes as tall as small trees. One cactus stood out, shaped like a little man with a topknot. That bright “bun” was its fruit—edible, sweet, and eye-catching. But a word of caution to greedy fingers: those fruits are covered in fine, nearly invisible thorns that stick everywhere and won’t let go. We didn’t pick any from the island, of course. The ones near my home? Not quite so lucky—different place, different fate.

    Below 900 feet, the island is dominated by grasses, shrubs, and cacti. Trees are rare, mostly found in canyon bottoms. But around 1,000 feet, the terrain changes dramatically, revealing the island’s geological story—a reminder of the ancient volcanic forces that gave this land its shape.

  • A Date with the Creatures at the Santa Barbara Channel

    The Island Packers team has been faithfully carrying out its mission since 1968, running voyages between Ventura Harbor and Channel Islands National Park. Over the decades, they’ve supported leisure, education, and scientific research alike. At the harbor’s check-in area, you’ll find a whiteboard documenting the marine life spotted during the day’s journey—a charming tradition. Before boarding, we couldn’t help but glance at it: dolphins and humpback whales had made appearances over the past two days. That alone was enough to build up everyone’s anticipation.

    The early morning sea was calm and deep blue, disturbed only by the gentle breeze brushing its surface. In the distance, the islands floated in a veil of mist—mysterious, otherworldly, like something from a dream. The weather today was, well, quite good. And by “quite good,” I don’t mean spotless skies. In fact, the scattered white clouds were a welcome relief from the monotonous, cloudless blue we coastal Californians often wake up to. Too much perfection, as it turns out, wears thin over time. Aesthetic fatigue is real. We humans are hard to please.

    Brown pelicans, the tireless commuters of the coast, flew back and forth between land and sea. With their large bodies, flying isn’t exactly effortless—especially over the 30 to 40-mile stretch they cover. That’s why they fly in disciplined, single-file lines just above the sea, riding their invisible aerial highway. Occasionally, a few latecomers join from a “fork in the road,” falling into rhythm with the flock. Some peel away toward other destinations. This kind of organic cooperation keeps their formation tight and functional.

    The voyage out to the island was uneventful, and the initial energy on deck gradually faded. Conversations slowed. The narrator—you know, me—also fell silent, chilled by the crisp autumn air. The excited crowd that once buzzed at the bow slowly thinned out, until just a handful of us remained, quietly braving the breeze.

    Hope lingered in everyone’s eyes, in sharp contrast to the still, reflective ocean.

    But miracles kept their distance. The sea remained calm, right up until we reached the dock at the island. With our hopes now transferred to the return trip, we stepped off the boat and launched into our island adventure with renewed enthusiasm. Later, when we descended back into the canyon flatlands, the sun was beginning its slow drop toward the western horizon. Long shadows of tall trees carried a comforting breeze that made everything feel just right.

    Along the narrow beach, we found colorful pebbles scattered like candy—smooth, vibrant, and varied. Boats glided across the gentle sea, while rowers moved in harmony with the golden hour light. The scene felt painted.

    We were a group of six—two each from Canada, Germany, and China. Quite the international ensemble. The Canadian pair were visiting Santa Cruz Island for the first time. One of our German colleagues had been here twice before but never caught sight of any marine life. The other? Even more dramatic—he once booked a dedicated whale-watching trip and only glimpsed a few dolphin backs in the distance. This time, everyone had high hopes and joked that maybe I’d be the one to finally “turn the tide” for them.

    The journey back began just as calmly. But this time, there was a subtle impatience in the air. I couldn’t shake the feeling that we were due for something special, so I kept scanning the horizon in silence. Then, around nine miles from shore, a stir broke the pattern.

    The crew began to buzz. The guide made an announcement: dolphins ahead. The deck came alive in an instant.

    The sea and the boat burst into synchronized energy. Dolphins—those brilliant, playful creatures—seemed to revel in the excitement. They weren’t shy about approaching us, leaping through the waves beside the boat as if they were part of the ride. It was rare and electric—to catch that perfect moment of a dolphin breaching.

    They began a full performance. The collective voices from the deck seemed to egg them on. At that moment, words no longer mattered. Cameras were raised. Eyes widened. We all tried to freeze every splash in memory—or at least in pixels.

    Eventually, the boat began to move again, and the dolphins responded like mischievous escorts. They zipped to the front of the ship, dancing just under the bow. Their control was uncanny—sometimes speeding up, sometimes falling back—always right in sync. I managed to capture one blowing a perfect stream of bubbles.

    That breath, or rather the forceful exhale of air, happened in a blink. A split second, and you see everything—the power, the grace, the control.

    The white spray beside the boat froze in midair—just for a moment.

    Then came the star of the show.

    The humpback whale.

    Its sudden appearance lifted the entire deck into a cheer. Gone was the cold. Gone was the stillness. Humpback whales are baleen whales, typically 15 to 20 meters long and weighing over 30,000 kilograms. Females are often even larger than males. Their signature “hump” is the first thing to break the surface—a calling card.

    This one surfaced close—so close, maybe 10 meters away. A tower of mist shot into the sky, sparkling in the afternoon sun. Near the whale’s head, you could see small nodules, like bumps. These are remnants of hair follicles—a unique feature among whales, and part of what sets humpbacks apart.

    The mist, caught in the low golden light, shimmered with rainbow hues.

    It was a perfect performance. Everyone was elated. And no one wanted to leave. But the sunset had other plans, reminding the crew it was time to go.

    We turned back for Ventura.

    As we entered the harbor, the sunset bathed the palm trees in warm amber. The boats floated in a golden haze.

    Back on land, the trip quietly came to an end. People drifted off, heading home. Just then, I noticed a couple standing by the water, framed by the setting sun. An older gentleman sat nearby. When I lifted my camera, they turned to look at me.

    They probably had no idea just how beautiful the scene behind them was. But I did.

  • Red Rock Valley along the Santa Ynez River

    July 2011 @ Red Rock Canyon in Santa Ynez Mountains, California

    For newcomers or travelers in the United States, one of the deepest impressions often lies in the stark contrast of its landforms to those in China. Here, there’s none of Guilin’s elegance, Jiuzhaigou’s mystique, or Zhangjiajie’s spiritual peaks. Instead, vast, rugged terrain stretches out—gray, yellow, and unforgiving. Particularly in Nevada, Arizona, and much of California, apart from a few scattered national forests, the landscape feels like a never-ending “wasteland.” These perceptions mostly come from famous national parks. But if you stay a while, and wander off the beaten path, you’ll realize California has its own gentleness and depth—full of lush green hills, quiet waters, and secret havens.

    One sunny Saturday morning in July, we crossed the Santa Ynez Mountains along California’s scenic Highway 154 and headed toward Red Rock Canyon, less than 10 miles from downtown Santa Barbara. The newcomers were visibly excited; the locals? Calm and nostalgic.

    Red Rock Canyon lies at the end of Paradise Road, hugging the Santa Ynez River in its middle and upper reaches. The river originates in the Los Padres National Forest and winds through several tributaries before flowing into Cachuma Lake—the largest reservoir in the area and a vital water source for Santa Barbara.

    Being so close to the city, Red Rock Canyon is a weekend haven. There are numerous picnic sites and public rest areas. Admission is free—just a small parking fee, usually around $3–5. The canyon’s name comes from its iconic rust-red boulders, likely rich in iron from ancient volcanic activity. Over millennia, they’ve been worn into fantastic shapes, surrounded now by verdant hills—so different from the parched scenes that dominate California’s interior.

    As we approached the canyon, a small emerald lake shimmered beneath a massive red rock, speeding up everyone’s steps. Beneath this towering rock, the river ran clear and calm, calling to mind the Golden Whip Stream in Zhangjiajie. Stone steps, green grass, and gently flowing water—it felt like a brushstroke from a Jiangnan painting.

    This 40-foot-high red rock is the canyon’s landmark. In the heat of summer, thrill-seeking youth often scale it barefoot to dive into the river below. While the water is deep enough at the center, the scattered boulders around the edge are dangerous. Still, the successful divers are treated like legends. One climber, urged on by cheers and camera flashes, hesitated for 15 minutes before leaping. Later, he admitted he closed his eyes mid-fall and only opened them to realize he was still falling—terrifying and unforgettable. I couldn’t help but think: bravery or recklessness, the line is thin.

    After the adrenaline faded, we hiked a gravel trail back to our picnic site. Fires were lit, food unpacked, and laughter returned. Even the “diving hero” grew quiet, likely lost in reflection. In California, public drinking is prohibited, but enforcement is relaxed in places like this—so long as moderation prevails.

    Later, a few of us strolled upstream, wandering across a wide bed of smooth pebbles. The simplicity of it was perfect. By the river, I spotted a rare red dragonfly, striking in its elegance. With only a standard lens, I tiptoed close to capture it—regretting again that I hadn’t yet invested in a telephoto.

    The riverbed, under crystal-clear water, sparkled with sunlit pebbles and green algae. In the distance, others still swam and played. As the sun dipped behind the hills, we reluctantly packed up and began our journey home. Every trip begins with excitement and ends with quiet fulfillment—and the moments we capture along the way become the true treasures.

    If you find time, go. Let the natural world welcome you, remind you of freedom, and carry your spirit a little farther. There’s no better place to stretch the wings of your dreams than on the trail of beauty.